Some truly amazing identitarian / alt-right videos

One thing American conservatives never understood is that art is more important than politics.  If you can create and impose your own aesthetic vision, politics will follow.  Politics without art is untethered.

On an email list, I was recently sent some videos that are truly amazing.  I’ll go through some of them.  If you only have time to watch one, watch the first. But please, take the time and watch all of them. You won’t be disappointed.

The first is by the French female band Les Brigandes and it’s entitled “Le grand remplacement” (French for the “Great Replacement” which denotes the racial genocide of whites and their replacement by other races).  For more of their videos, see here.  Counter Currents has a piece about them here.

Another by Les Brigandes on antifas (anti-fascists):

Lana Lokteff and her friends Sinead and Megan on white privilege:

Shiksa Goddess on internet trolls.  (Her YouTube channel is here.)

Another by Shiksa Goddess:

Finally, @UncuckTheRight, on the Alt Right:

There is so much new talent out there.  I hope to see more talent coming out of the woodwork soon.

America’s Disappointing New Elite

Steve Sailer recently posted a couple pieces (here and here) about Skull & Bones, the secret society at Yale, which got me to thinking about the 2009 exposé at Gawker.  While the popular imagination envisions what Skull & Bones once was — well-dressed, well-mannered WASP males — the reality of Skull & Bones today is entirely different.   After all, in recent years, Skull & Bones has become co-ed and multicultural. Here is what Skull & Bones is today.  Seriously, you’ve got to look at these photos of a 2008 Skull & Bones party at the Skull & Bones compound on Deer Island. I don’t know what photo I like the best:  the Asian & mulatto doing shots together, the Asian & mulatto doing some sort of crip-walk / jungle dance, or the black woman jumping / dancing on the furniture.

Whatever problems America’s old WASP elite might have had (before they were replaced by an Ashkenazi elite), at least the WASP elite was biologically representative of America’s founding stock and sympathetic to its preservation, as evidenced by the Immigration Act of 1924. It seems that the Ashkenazis now are giving way to new Third World hipsters, although the latter’s arrival could be at the expense of remaining WASPs and not Ashkenazis (as in Ivy League admissions).  Still, if Skull & Bones is a microcosm of America’s new coming elite, God help us all.  However, don’t let reality prevent the popular imagination from envisioning Skull & Bones as well-mannered WASP males, since secretly and aesthetically this is what the popular imagination truly desires.

In other news, UCLA drops Shakespeare and Chaucer requirement for English majors. Maybe students can just watch Univision in place of Shakespeare and Chaucer.  Idiocracy cometh.

Related:

Who Supports Open Borders? Summary of Open-Borders Elite in USA

The West Needs New Elites

Harvard and the Anti-White Aesthetic

Human Nature vs. Hollywood Political Correctness

Santa & Gandalf, Avatars of Odin

Regarding the recent move by the Cathedral to make Santa black, Richard Spencer tweets:

“Clause has very little to do w/ St. Nicholas. He’s an avatar of Odin.”

Which is basically correct.  Santa as we know him today is a composite of sorts, but his oldest (and truest?) form is that of Odin leading his ghostly yule procession through the sky.  This older Odin meme is then later overlaid with Christian elements, such as St. Nicholas (who, by the way, is Greek, not Turkish — Turkey didn’t exist in the 4th century), and Sinterklaas stories of central and northern Europe, but many of the Germanic pagan elements still survive surrounding yule/Christmas, such as elves, yule logs, etc.

Interestingly, there’s a similar parallel with the character Gandalf of Lord of the Rings.  Tolkien, a professor of Germanic languages, clearly modeled Gandalf after Odin — the “grey wanderer” known by many names — but this is overlaid with certain Christian elements, such as Gandalf sacrificing himself for the Fellowship and then later resurrected (although resurrection is not unknown in Germanic paganism, such as the promise of Balder’s resurrection).

Nonetheless, both Santa and Gandalf both suffer from one irredeemable sin in the eyes of the Cathedral: They’re white.   Cathedral’s answer:  Dump’em or darken’em.

Odin

Odin

Santa

Santa

Gandalf

Gandalf

Related:

Tolkien, HBD and German Romanticism

The Cultural Marxist Ghettoization of Northern Folkways

The Cultural Marxist Ghettoization of Northern Folkways

As has already been noted at Occam’s Razor (here, here, here, here and here), one of the on-going wars of Cultural Marxists / the Cathedral is the war against traditional European folkways, most recently demonstrated by the ghettoization of Western norms.  Yes, one sees the usual suspects behind all this, although others, like blacks and mestizos, are quick to join in, and their bête noire above all others is often the traditional folkways of Germanic peoples.

Exhibit A:  A recent piece by some black woman named Aisha Harris at Slate, entitled “Santa Claus Should Not Be a White Man Anymore.”  Yes, she thinks Santa henceforth should be a negro, nevermind the historical reality of Santa, which is: Santa is a composite of various European pagan and Christian figures, starting with Odin leading his ghostly yule procession through the sky, which was later overlaid with Christian elements like the Sinterklaas stories of central and northern Europe.  In short, Santa is European, which is precisely why these people want to wallpaper over him.

Exhibit B:  The recent Hobbit movie: The Hobbit: The Desolation of Smaug (released today).   Although this movie suffers from other problems, such as superfluous action scenes at the expense of story, this is the first movie of LotR franchise that displays diversity, although it is minimal.  Early on, some negro bounty hunter is briefly seen, and later in the film, at the Lake-town, one sees various negroes and other non-whites standing around with wassup? expressions on their faces.  Disappointing.  Peter Jackson was able to withstand Cultural Marxist pressures in his first four movies, but the pressure must have been too great.  (Looking at who now controls New Line Cinema, one shouldn’t be surprised.)  Of course, all of this is quite egregious when contrasted with Tolkien’s linguistic-mythological melieu, which is grounded in Germanic paganism. (There were dark people in Tolkien’s writings, but they were from the south (Endor / the Hither Lands, not Middle Earth), evil and sided with Sauron, and probably looked more like Asian Indians than negroes.)

Of course, there are other examples, like the movie Thor, which has already been thoroughly discussed by others.

One can only imagine the uproar if, for example, people tried to wallpaper over the racial realities of Chinese or African folkways.  Only whites, suffering from pathological altruism, seem to tolerate the complete and deliberate sabotaging of their folkways.  I, for one, am tired of it.

Updates:

John Maelstrom writes:

On a lighter, and final note, Hobbit #2 finally delivers its first Black resident. You won’t even need a quick set of eyeballs, as the camera focuses on this townsperson at least twice to make sure you notice. I’m sure Peter Jackson feels this buys him an “Escape the racist accusation” card.

Not so fast, Pete!

For some reason, likely a “racist” one, this lone Black extra is cast in the Middle Earth equivalent of Detroit – Laketown (eerily evocative of Motown). For all their focus on aesthetic quality, this team of Kiwi filmmakers had to eventually cave in to the forces of political correctness, who have been crusading for a rainbow Middle Earth since the release of The Lord of the Rings trilogy a decade ago. No doubt this token Black will only wet the appetites of the Multicult and accusations of even deeper levels of racism are sure to follow this act of appeasement. Say a prayer of thanks that filming is complete for the Hobbit series and gird yourself for Hollywood’s adaptation of The Silmarillion.

And Trevor Lynch writes:

But it gets worse. As the greedy, scheming master of Laketown (played by the Jew Stephen Fry) addresses his people, the camera pans over the audience. At first, I thought some Uruk Hai had crept in. But no, when the camera returned again and again, it became clear that Laketown is afflicted with dark, vibrant, nappy racial diversity.

Peter Jackson endured more than a decade of kvetching about the “racism” of his faithful adaptation of The Lord of the Rings, in which the races of Middle Earth are portrayed as white and their enemies dark. But now he has caved. The first Hobbit movie pullulates with pasty orcs and goblins. And now we have Negroes and Papuans in frigid Laketown.

This movie is an insult to the taste and intelligence of its audience and to the memory of J. R. R. Tolkien. I can’t recommend it, and it will only be out of a sense of duty to you, my audience, that I will rouse myself to see the final film next December.

Santa is really Odin (via Land)

Related Stories:

Tolkien, HBD and German Romanticism

Human Nature vs. Hollywood Political Correctness

The ghettoization of American Culture

The ghettoization of American Culture

Regarding John Derbyshire’s response to my recent post on the increasing ghettoization of Christianity, one might add that this ghettoization goes beyond Christianity.   One could give many examples, but I’ll limit it to a few.

Children’s entertainment:  One of the most popular children’s shows in the USA right now is Dora the Explorer, some low-brow mestizo form of entertainment that teaches kids Spanglish and was dreamed up by Latino-savvy consultants.  We’ve come a long way from D’Aulaires, Sutcliff, and Marshall in a short span of time.

Perhaps even worse is the degradation of Thomas the Train, which was once a rather innocuous British book series turned television series that taught lessons such as not to lose your temper.  In recent years, however, the Thomas the Train television show has been completely Americanized, which of course means ghettoized, replete with tribal African rhythms:

For adult examples of ghettoization, just watch NFL football, which has turned into a showcase for black thugs.

And then there’s the exporting of America’s ghetto culture.

In particular, I think of the 2005 riots in France, where many of the African rioters were wearing American ghetto clothing (e.g. NY Yankees hats on sideways, etc.) and flashing gang signs at the cameras.

Has America reached rock bottom?

Perhaps we’re reaching the terminal stages of what Alexis de Tocqueville labeled the “tyranny of mediocrity,” where this final stage of American depravity culminates in what Elizabeth Wright more recently called the “negrophilia” of American entertainment.

Of course, this isn’t meant take away from the ghettoization of Christianity, which is a more global phenomenon — occurring not only in the USA but also in Africa and Latin America.  The empowered wretched of the Earth are coming home to roost.

Are women who tan sluts?

In the field of human biodiversity, there recently has been more attention on color variation, such as Rushton and Templer’s “Do pigmentation and the melanocortin system modulate aggression and sexuality in humans as they do in other animals?”

And as noted by Peter Frost and others, there seems to be same-race variation in pigmentation.  Both among Europeans and North Asians, one finds that the upper classes tend to be fairer skinned, and the lower classes darker skinned.  Think of the “fair princess” (beauty = fair skin) and epithets throughout literature, such as “white-armed Andomache” or the fact that fair-skinned women are often thought of as more virtuous.

Globally, women will go to great lengths to make themselves appear more fair, as skin-lightening products are some of the most-sold beauty products in the world. In short, surveying history, one could say fairness is adaptive; swarthiness, maladaptive, at least as they concern recent post-hunter-gatherer societies.  Is fairness part of the domestication of Europeans and North Asians (as with foxes)?

Why, then, in the West,  the radical changes of the past 40 years or so?  Why is tanning among white women now considered hip?  Why do some white women intentionally try to make themselves look darker?

In short, one could say much in the West is now dysgenic; whatever the media (and those who have real power) prescribe is probably contrary to reality.

Also note that the rise of the tanning phenomenon coincides with the sexual revolution.  Does tanning of women denote sexual availability?  Are tan women perceived as being sexually easier?

I have no hard data on this but from my experience (of frequently going out for a decade in major American and European cities) guys internally view fair women as marriage material, and overly tanned women as sluts. (If this is true, this could be a powerful weapon for women looking to snag a husband.)

Thoughts?

Further Reading:

Peter Frost on Ashkenazis and the vilification of blondes, Skin color and the menstrual cycle, and the trading of fair-skinned women.

Human Nature vs. Hollywood Political Correctness